At 3am on January 23, 1904, a naked flame from a factory was blown across the canal by a storm, and in 16 hours, burned 650 wooden houses to the ground. About 12,000 people lost their homes, and one elderly woman died. A renovated chemist shop today chronicles that night&mdashthe residents running out of their homes in their nightwear, the wom­an who wore an elaborate hat but only an underskirt, the doctor who had grabbed only a lamp shade, the strange absence of screams or tears, quiet and stunned people walking. In just three years, the residents rebuilt Ålesund, understand­ing their environment better, giving the wood up for brick-and-mortar construc­tion. It became a hub for architects from Europe and across Norway. Whether it is time, perspective, or submission to an unavoidable catastrophe, the retelling of Ålesund&rsquos Big Fire in the chemist shop, now a museum, does not have a note of tragedy, but renewal. &ldquoA clean slate to rebuild a city&hellip a dream come true,&rdquo the voice of one of 30 Norwegian rebuilding architects quivers with excitement. They built it in the art nouveau style, fashion­able then, but also one that is inspired by their everyday surroundings. Ålesund&rsquos buildings today are highly decorated, with intricate floral and plant-inspired motifs, asymmetrical lines, images of ships and silhouettes of mermaids, seaweed, grass and even insects. No tes­timony in the museum is angry about the fire or the wind, because as a local and tourism director, Geir Vik, says, &ldquoNature is nature, we have to learn to live with it.&rdquo