Trying to gather up information about Shahjahanabad, Delhi&rsquos oldest, eternally decaying quarter, can be daunting if you aren&rsquot a document pack rat with an intimate acquaintanceship with the correspondence of colonial officers. Kothas where long-dead nautch girls were once trained might be soaked in the sweat of a thousand jalebis and festooned with the innards of television sets and grand havelis of Mughal noblemen might be filled with skittish seekh kebab-bound goats. Or, they might be guarded by self-elected bouncers, like the leaden-faced Sikh youth who stands guarding the entrance of a 19th-century dharamshala on Church Mission Road, whose T-shirt declares &lsquoYour face, my ass. What&rsquos the difference&rsquo
Delicately sidestepping the question, I scramble past through the mini-door-within-a-door beneath a grand gateway, bordered by ornately wrought floral motifs. I nearly stumble over a prostrate gent in underpants, sleeping on a step. Front and centre, inside the courtyard within, is a public urinal, from which two grinning youths greet me. The space is filled with trash and makeshift constructions set up by the textile traders.
A friendly squatter escorts me along to four metal pillars made in London, which he declares to be the predominant feature of this courtyard. The dharam-shala was once owned by the famous Lala Chunnamal, a brocade merchant and Delhi&rsquos wealthiest inhabitant in his day. Ten generations later, the property is under dispute, and this squatter, who grew up there, is unsure of its (and his) fate. &ldquoYesterday this was a dharamshala, today it&rsquos a shop, who knows what will happen tomorrow&rdquo
That&rsquos a sentiment that echoes from establishments all along Church Mission Road, home to wholesale ghee and wheat markets, sarais and quaint haveli-turned-hotels. Yesterday&rsquos glorious parks are today&rsquos parking yesterday&rsquos ancient havelis are today&rsquos wholesale markets and Shahjahanabad&rsquos sweeping waterways and trees have been replaced with bustling traffic, around which wafts (according to a recent report) the most noxious air in all of India.
With the advent of Old Delhi railway station in 1867, Church Mission Road became Delhi&rsquos first &lsquomodern&rsquo road &mdash running all the way through to Fatehpuri Masjid (incidentally, also owned &mdash albeit briefly &mdash by Lala Chunnamal). The quarter was once inhabited by noblemen attached to the Mughal court, and Anglican missionaries who founded the St Stephens&rsquo Church, where natives were regaled with sermons in Urdu.
This is where Ravi Kukreja, one of the proprietors of the Hotel Regal, was born about 70 years ago. &ldquoMy father was with the Congress, and had built this hotel around 1936. Around then, there were practically no hotels here, only inns and sarais. He had another hotel, the Maharaja Hotel, which he built in 1911 for the maharajas who attended the coronation of Queen Victoria. But it went to my uncle, and his sons sold it when he died. Now, only Hotel Regal retains its original character.&rdquo
The character is, like many of the quarter&rsquos haveli-turned-hotels, decidedly quaint. Large, brightly painted wooden doors welcome you up a wide stairwell its walls lined with tiles printed with flowers or Mt Fujis. The rooms are musty, and smell of insalubrious odours ranging from dank ammonia to nicotine. Regal falls on the nicotine side of the spectrum, as the swankiest of these hotels, with room rates ranging from Rs 500 to 1,100.
Taj Mahal Hotel around the corner, alas, is decidedly ammoniac. It makes up for it, however, with its Lynchian-level quirky cuteness/disquieting draw. Quirky cuteness signs, now stern, now solicitous &mdash &lsquoNo Drink&rsquo. &lsquoNo Smoking&rsquo. &lsquoToilet&rsquo. &lsquoStair&rsquo. Disquieting draw spittoons in the corners of the stairway, used by paan-chewing patrons with poor aim. Quirky cuteness the staff &mdash Parvinder, with his incongruous line-backer frame a candy-striped reception booth, manned by a little old Sikh gent. Disquieting draw the aforementioned rooms.
This quirky/disquieting balance is perfectly cinematic, so it isn&rsquot surprising to hear this year&rsquos blockbuster (H)indie hit film Dev D was shot here, and its art director has added some of their own studiously retro touches, such as an old school hand-painted ad depicting a pasty lady unhooking her bra on the wall beside the terrace, with the legend &lsquoHot look. Cool feel.&rsquo This hasn&rsquot done much to draw more custom just the occasional curious passerby. &ldquoThe owner is a wine trader, which is 100% profit. In this business, we just about break even.&rdquo says the manager, Manish Sharma,
Deepak Sharma, proprietor of Hotel Gautam a little away, sees darker threats. His establishment was a snooker parlour once frequented by &ldquoPresidents and Rajas&rdquo, owned by a &ldquoMohammedan&rdquo who fled to Pakistan during Partition, turning his hotel into &lsquoevacuee property&rsquo. Today, he feels like his fate is no less uncertain, as do the area&rsquos 50 other hotel proprietors. &ldquoI wanted to renovate but according to the Master Plan Delhi 2021 this &lsquois a special area&rsquo, where heritage properties will be acquired and &lsquoredeveloped&rsquo,&rdquo says Sharma. &ldquoWe&rsquore also opposing a flyover project. If they continue to make schemes to fit the road, not the place, it&rsquoll ruin the place.&rdquo